anon: "James Cameron. Filmmaker of the year." ACE (American Cinema Editors, Inc.)

anon: Titanic In: Visual Fx

anon: "Hack Technology and Matte-Black Technology in Terminator 2". (paper / "Technology and Self-representation in Literature and Film")

anon: Terminator (1984) als Beispiel für moderne apokalyptische Mythen

anon: "Man and Machine: An essay on Blade Runner, The Terminator, Terminator 2: Judgement Day, and Star Trek: First Contact

anon: "Monroe trifft Hitler". In: der Spiegel 37 /1994, S. 146-152 (über computeranimierte Filme, T2, Abyss) 

anon: "Lighting the Abyss"

anon.: "The Digital Realm" (sfx von Terminator 2)

anon: Cinesite Contributes To Crucial "Titanic" Sequence (kurz und technisch)

anon: "To what extent do Hollywood Genres involve predictable forms of narrative structure?" Abschnitt: Narrative and Genre in Terminator"

anon: "Do Cyborgs Sleep?"

anon. "From Despair to Where?" (zu 'Strange Days')

(anon.): "Ramboline räumt auf beim Todes-Abzählreim im Weltall." In: kino 11/ 1990. S. 31-36

anon: "James Cameron: vom Action-Regisseur zum einfühlsamen Titanic-Schöpfer". In: DVD Home 5 / 2000, p. 44 (kurzer biographischer Abriß)

(anon.:) "Killerweiber unterwegs. Frauen als Kämpfer in 'Thelma & Louise' und 'Terminator 2' - Hollywood hat den neuen Feminismus entdeckt." In: Der Spiegel 43 / 1991, S. 294

Abbot, Joe: "They came from beyond the center. Ideology and political textuality in the radical science fiction films of James Cameron." In: LITERATURE/FILM QUARTERLY 22. 1994. No. 1. p. 21-27.

Alcalay, Ron: "Morphing Out of Identity Politics: Black or White and Terminator 2". In:  Bad Subjects, Issue # 19, March 1995 

Armstrong, Larry: "DIGITAL DOMAIN: A STAR IS MORPHED. The ambitious company's special effects outgrow the movies". In: Businessweek 03/04/1996

Arnold, Robert F.  :"Termination or transformation : the Terminator films and recent changes in the U.S. auto industry" /  Film quarterly ; 52 Heft 1. - S. 20-30. , 1998

Bacal, Simon: "T2 - Nuking & Melting". In: Starburst Spec. #12 July, 1992 p 25-32 

Benidt, J.: "The Terminator". In: Cinefex 1985. No. 21. p. 4-23. 

Berger, Arthur Asa :  "The terminator : a case study in high tech paranoia / . In: The postmodern presence : readings on postmodernism in American culture and society / edited by Arthur Asa Berger Publisher, Walnut Creek, CA : AltaMira Press, c1998

Bergermann, Ulrike: "Alien Surrection. Sgt. Ripley as a model for Cyberfeminist Contamination, in: Next Cyberfeminist Protocols, Hg. Old Boys Network, New York (forthcoming); do x. Manifesto no. 372, in: First Cyberfeminist International, Dokumentation des Hybrid Workspace der documenta x, Kassel 1997, Hg. Cornelia Sollfrank/Old Boys Network, Hamburg 1998, (p. 8f.).

Berenstein, Rhona. “Mommie Dearest: Aliens, Rosemary’s Baby and  mothering.” In: Journal of Popular Culture. Volume 24: Fall 1990, page 62.

Bick, I. J.: "Alien" within, "Aliens" without. The primal scene and the return to the repressed. In: American Imago 45. 1988. No. 3. p. 337-358.

Bielik, Alain: "TRUE LIES. Un tournage sous haute pression". In: SFX n°16.

Billy, Ted: A curious case of influence. Nostromo and Alien(s). In: CONRADIANA 21.1989. No. 2. p. 147-157. 

Borton, Douglas: A lesson in "Aliens" Biology. In: Cinefantastique 17. 1987. No. 1. p. 43.

Brians, Paul : "Terminator vs. Terminator. Nuclear Holocaust as a Video Game" (unveröffentlicht)

Bundtzen, Lynda K. : "Monstrous Mothers: Medusa, Grendel, and now Alien". In: Film Quarterly, V. XL, No. 3, Berkeley, S.11-17

The terminator -- Star wars as fairy tale. In: , Arthur Asa Berger  "Manufacturing desire : media, popular culture, and everyday life" / Arthur Asa Berger.
New Brunswick, N.J. : Transaction Publishers, c1996.

Blackmore, Tim. "'Is This Going to be Another Bug-Hunt?': S-F Tradition Versus Biology-As-Destiny in James Cameron's Aliens," JOURNAL OF POPULAR CULTURE, Vol. 29 No. 4, Spring 1996. AP2 J8325 

Blothner, Dirk: "Terminator 2 - Ein Oldie für unsere Zukunft" In: Experimenta 2/1992, S.15-24 (Über die unbewußte Wirkung von Terminator 2)

Boer, Roland: "Christological Slippage and Ideological Structures in Schwarzenegger's Terminator"  In: Semeia Iss69-70, 1995 pp.165-193

Brauerhoch, Annette: "Mutter-Monster, Monster-Mutter. Vom Horror der Weiblichkeit und monströser Mütterlichkeit im Horrorfilm und seinen Theorien", in:
Frauen und Film, Heft 49 (1990), S. 21-37.(Alien, Aliens)

Byers, Thomas, "Commodity Futures : Corporate State and Personal Style in Three Recent Science Fiction Movies", Science Fiction Studies, vol. 14, 1987, pp. 326-339.

Byers, Thomas B.:  "Terminating the Postmodern: Masculinity and Pomophobia." MFS: Modern Fiction Studies, vol. 41 no. 1. 1995 Spring. pp: 5-33.

Calhoun, John: "That Sinking Feeling: From the Grand Staircase to the first-class china, the Titanic is recreated for James Cameron's blockbuster film". In Roll Camera (Film & TV)

Cameron, James:  "Technology and Magic," Cinefex, No. 51, pp. 5-7. 

Chien, Joseph: "Containing Horror: The Alien Trilogy and the Abject." Focus Magazine 14 (1994): 7- 17.

Christopher, Renny: Negotiating the Viet-Nam-War through permeable genre borders: "Aliens" as Viet-Nam-War-film; "Platoon" as horror film. In: LITERATURE INTERPRETATION THEORY 5. 1994. No. 1. p. 53-66.

Chumo, Peter N., "Learning to Make Each Day Count: Time in James Cameron's Titanic". In:  The Journal of Popular Film and TV, vol. 26, no. 4, 1999, pp. 158-164.

Crogan, Patrick: " (Dis)Ingenuity : James Cameron's Titanic". In: Metro education, No: 17/18, page/s: 16-17, 1999 

Crogan, Patrick: "Things Analog and Digital". (speziell zum T 1000). Paper anläßlich des Special Effects/Special Affects: Technologies of the Screen Symposiums,  University of Melbourne, 25/3/200

Cubitt, Sean: "taking a pixel for a walk". Paper presented at the  Institutions of the Visual Conference,  ILLINOIS PROJECT FOR RESEARCH IN THE HUMANITIES, UNIVERSITY OF ILLINOIS URBANA-CHAMPAIGN 6 MARCH 2000 (Effekte / The Abyss)

Davis, Todd F. / Womack, Kenneth: "Narrating the ship of dreams. The ethics of sentimentality in James Cameron's Titanic". In: The Journal of popular film and television ; 1/2001 (vol. 29), p.42-48

Dery, Mark Terminator 2: Iron John Meets Steely Dan In: Dery, Mark Escape Velocitiy London: Hodder & Stoughton 1996

Doherty, Thomas.  "Genre, Gender and the Aliens Trilogy." The Dread of Difference: Gender and the Horror Film.  Ed. Barry Keith Grant.  Austin: U of Texas P, 1996.  181-99.

Don, A., Brennan, S. E., Laurel, B., & Schneiderman, B. (1992). Anthropomorphism: From ELIZA to Terminator 2. In Striking a Balance: Proceedings of the 1992 ACM/SIGCHI

Duckenfield, Mark: "Terminator 2": A call to economic arms? In: Studies in Popular Culture 17. 1994. No. 1. p. 1-16.

Duncan, Jody. "Titanic Aftermath." In: Cinefex (USA). December 1997 (issue 72). p. 137-176.

Edwards, Paul N. "The Terminator Meets Commander Data: Cyborg Identity in the New World Order." In: Changing Life: Genomes, Ecologies, Bodies, Commodities. Ed. Taylor et al. University of Minnesota Press, Minneapolis,

Edwards, Paul N. :  "Cyberpunks in Cyberspace: The Politics of Subjectivity in the Computer Age" published in Susan Leigh Star, ed., Cultures of Computing (Keele, UK: Sociological Review and Monograph Series, 1995), pp. 69-84.

Elswick, Jill: "From turntables to the Titanic: Eric Lundberg '86 pioneers laser-based positioning system". In: Virginia Tech Magazine

Eyken, Henry van : "Symbol and Image in Cameron’s Titanic. Hits and misses while squaring a magic circle"  (recht spekulativ, dennoch wertvoll)

Ford, Scott: "Biblical Appropriations of the "Terminator" 

Franck, Thomas C.: "LA GUERRE SOCIALE RACONTÉE AUX ENFANTS - « Titanic » et la lutte des classes". In: Le Monde diplomatique AOÛT 1998 

Friedman, Norman L. "The Terminator: Changes in Critical Evaluations of Cultural Productions." In: Journal of Popular Culture Vol. 28 No. 1, Summer 1994.

Friedrich, Andreas: "James Cameron". In: "Filmregisseure: Biographien, Werkbeschreibungen, Filmographien". Hrsg. v. Thomas Koebner. Stuttgart: Reclam 1999, p. 97-100

Gabbard, Krin: Aliens and the new family romance. In: Post Script 8. 1988. No. 1. p. 29-42.

Gehring, Wes D. : "'Titanic': the ultimate epic". In: USA Today (Magazine), March 01 1998

Giardina, Carolyn: "Digital Domain's ship comes in: 'Titanic' production techniques applicable to spotwork." In: SHOOT Jan 9, 1998

Gilbertson, Daniel: "The Terminator" and Philip K. Dick: An insider's view of how James Cameron may have been inspired by the master. In: Cinefantastique 29. 1998. No. 9. p. 52-55. 

Goldberg, Jonathan: "??" (Kapitel über Terminator 1 & 2/ Schwarzenegger). In: Chris Hables Gray, ed. The Cyborg Handbook. With Heidi J. Figueroa-Sarriera and Steven Mentor. Routledge (800-634-7064), 1995. xxi + 540 pp

Goodhall, Jane R.: "Aliens". In: The Southern Review 23. 1990. No. 1. p. 73-82.

Goscilo, Margaret: (1987-8) "Deconstructing the Terminator" Film Criticism 12:37-52

Gottwald, Eckhardt: "Der alltägliche Mythos. "Terminator 2" und die neue Kinokultur als Ausschnitt unseres Alltags betrachtet". In: medien praktisch 2/92

Gräfe, Lutz  / Olaf Möller: "Das Zeitalter des Menschen. James Cameron und seine Filme". In: film dienst 26.11.1991, S. 4-7 

Greenberg, Harvey Roy: Aliens' intentions. In: Journal of Popular Film and Television 15. 1988. No. 4. p. 165-171.

Hansmann, Judith: "Der Alienmythos als Konstrukt von Körperlichkeit und Sexualität: Die Frau als Monster und Mutter"

Hartl, Johannes: "Zufall durch Notwendigkeit. Ansätze einer Strukturanalyse des Films 'Titanic'". In: Medienobservationen (Universität München)

Heller, Dana: Home viewing: "Terminator 2" and cybernetic family romance. In: Proceedings of the Confernce on Film and American Culture. Co-Sponsored by the Virginia Humanities Conference and the Virginia Center for Media and Culture. Introduction by Joel Schwartz. - Williamsburg: Roy A. Charles Center, College of William and Mary 1994. p. 30-36.

Hepp, Andreas: Das Vergnügen am Actionfilm. Eine Fallstudie zur lustvollen Aneignung des Films Terminator 2. IN :Rüschoff, Bernd; Schmitz, Ulrich (Hg.):
Kommunikation und Lernen mit alten und neuen Medien. Beiträge zum Rahmenthema "Schlagwort Kommunikationsgesellschaft" der 26. Jahrestagung der
Gesellschaft für Angewandte Linguistik GAL e.V.. Frankfurt a. M. : Peter Lang, 1996, S.123-142.

Hepp, Andreas....Cultural Studies: "Medientexte und Kontexte : ein Beitrag zur Interpretationsdebatte um Terminator 2". In:  Medien praktisch ; 21 ,1997 Nr. 2. - S. 42-47

Hermann, Chad : "Some Horrible Dream About (S)mothering": Sexuality, Gender, and Family in the Alien Trilogy. In PostScript: Essays in Film and the Humanities, Summer 1997)

Hitzler, Ronald / Daniel Barth: "Die Ripley-Saga. Eine lebensweltliche Perspektive der Alien-Trilogie." In: Sinnwelt Film. Beiträge zur interdisziplinären Filmananlyse. Hrsg von Wilhelm Hoffmann, Baden Baden 1996, S. 57-68

(eine abweichende Fassung gibt es bei Artechok)

Hocker Rushing, Janice: Evolution of "The new frontier" in "Alien" and "Aliens": Patriarchal co-optation of the feminine archetype. In: Screening the sacred: Religion, myth, and ideology in popular American film. Edited by Joel W. Martin and Conrad E. Ostwald Jr. - Boulder, Colorado; San Francisco, California; Oxford: Westview Press 1995. p. 94-117.

Hocker Rushing, Janice / Thomas S. Frentz: "Singing over the bones: James Cameron's Titanic". In: Critical Studies in Media Communication Vol. 17 No. 1 (2000); p. 1-27 

Jancovich, Mark. "Modernity and Subjectivity in THE TERMINATOR: The Machine as Monster in Contemporary American Culture" The Velvet Light Trap No. 30, Fall 1992. PN1993 .V44

Jeffords, Susan: "Can Masculinity Be Terminated?", in: Steven Cohan, Ina Rae Hark (eds.), Screening the Male. Exploring Masculinities in Hollywwod Cinema, New York/London 1993, S. 245-262. Terminator (I und II) 

Jeffords, Susan: "Terminal Masculinity: Men in the Early 1990s" In Susan Jeffords: "Hard bodies: Hollywood masculinity in the Reagan era". 1994, p. 141-177 (vor allem über T1 und T2) 

Jeffords, Susan.  "'The Battle of the Big Mamas':  Feminism and the Alienation of Women."In: Journal of American Culture  10.3  (1987):  73-84. (zu Alien und Aliens)

Jelinek, Elfriede: "Ritterin des gefährlichen Platzes". In: Meteor, 11, 1997 (über Sigourney Weaver / die Alien-Filme)

Jennings, Ros:  "Desire and Design: Ripley Undressed." In: Immortal, Invisible: Lesbians and the Moving Image/ edited by Tamsin Wilton. pp: 193-206. London; New York: Routledge, 1995. 

Jones, Jason B.: Terminating femininity: Ideology and the "Terminator" movies. In: Proceedings of the Confernce on Film and American Culture. Co-Sponsored by the Virginia Humanities Conference and the Virginia Center for Media and Culture. Introduction by Joel Schwartz. - Williamsburg: Roy A. Charles Center, College of William and Mary 1994. p. 64-68.

Kappelhoff, Hermann : "And the Heart will go on and on: Untergangsphantasie und Wiederholungsstruktur in dem Film Titanic von James Cameron", In: Montage, no. 8-1-1999, pp. 85-108.

Karnicky, Jeff : "Georges Bataille and the Visceral Cinema of Kathryn Bigelow" In: Enculturation, Vol. 2, No. 1, Fall 1998

Kendrick, James: Marxist overtones in Three Films by James Cameron. In: Journal of Popular Film and Television, Fall, 1999

Kenny, Tom: Titanic - Sound Design For James Cameron's Epic Ocean Saga, Mix Magazine, Jan 1998 -- post-production sound 

Kern, Gary: "Triumph of teen-prop : Terminator II and the end of history".  In: "Nursery realms : children in the worlds of science fiction, fantasy, and horror" / edited by Gary Westfahl and George Slusser. Athens, Ga. : University of Georgia Press, 1999

Knoll, Dieter: "Der Terminator Symbolisierungen unserer Zeit." In: Analytische Psychologie 1995, Vol.26, Iss.3, pp. 243-248

Koebner, Thomas: Ein Apokalyptiker: Der (Science-Fiction-) Regisseur James Cameron. In: Film-Dienst 52. 1999. No. 9. p. 14 - 15.

König, Hans-Dieter: "Mutter und Sohn und ein Mann aus Stahl Tiefenhermeneutische Rekonstruktion von "Terminator II", Teil 1-3 In
medien praktisch 1/94;2/94;3/94

König, Hans-Dieter Tiefenhermeneutik als sozialwissenschaftliche Methode in medien praktisch 3/94

König, Hans-Dieter Filmerleben und ästhetische Illusion Zugleich eine Kritik der gegen meine tiefenhermeneutische Medienanalyse von
Terminator 2 erhobenen Einwände. In: medien praktisch 2/95

Koven, Michael J.: "One Step Forward, Two Steps Back - Aliens and the Utilization of Technology"

Kramer, Peter: "Women first: 'Titanic' (1997), action-adventure films and Hollywood's female audience". In: Historical Journal of Film, Radio and Television, October 01 1998

Kreitling, Holger: "Die Märchen des Maschinenzeitalters. Über den amerikanischen Regisseur James Cameron." In: Tagesspiegel, 1.8.1993


Labbé, Christophe  & Olivia Recasens: "Le raz de marée Titanic". In: Le Monde,  13 April 1998 (über Titanic-websites)

Lalanne, Jean Marc: "Le Titanic n`a pas seulement coulé". In: Cahiers du Cinéma No 522 (1998), p. 44-45

Lane, Christina: "From The Loveless to Point Break: Kathryn Bigelow's Trajectory in Action". In: Cinema Journal Summer 1998, 37:4

Langkjær, Birger: "Digital Hype: En musikalsk analyse af terminator 2 ". In: Sekvens: Filmvidenskabelig Årbog 1997 1997 p. 14 

Larson, Doran : "Machine as Messiah: Cyborgs, Morphs, and the American Body Politic." In: cinema journal 36:4, summer 1997:57-75. 

Magid, Ron: "Eminent Domain". In Cinescape März 1996, . 24-34. ( Zu T2 3D)

Magid, Ron: "Epic Effects Christen Titanic" In: American Cinematographer, Dec '97 page 62-80

Magid, Ron: "Ship Building" In:American Cinematographer, Dec '97, page 81-85

Magid, Ron: "Adding depth and Breath to Titanic" In: American Cinematographer, Dec '97, page 68 & 70

Mann, Karen B.:  "Narrative Entanglements: The Terminator," Film Quarterly, 43 (Winter 1989-90): 19.

Marj Kibby: "Cyborgasm: Machines and male hysteria in the cinema of the eighties". In: Journal of interdisciplinary gender studies V1 N2 September 1996:139-146

Masters, Kim : "GLUB, GLUB, GLUB... Can James Cameron`s extravagant Titanic avoid disaster?" In: TIME, November 25, 1996 VOL. 148 NO. 24 

McGee, Patrick:  " Terrible Beauties: Messianic Time and the Image of Social Redemption in James Cameron's Titanic"
Postmodern Culture, Louisiana State University


McRoy, Jay : "Bodies that Swarm: Indeterminate Physiognomies and Ideological Recuperation in James 
Cameron's Aliens, Roland Emerich's Independence Day and George Romero's Day of the Dead"

Meyer: Jason: "how to fight like a girl: the roles of women in action movies // The Mother Warrior: Aliens and Long Kiss Goodnight

Mikos, Lothar Die Faszination des Cyborgs im Actionkino Kritische Anmerkungen zur tiefenhermeneutischen Rekonstruktion von Terminator 2. In: medien praktisch 1/95

Mikos, Lothar Nachbemerkung Zur Kritik von Hans-Dieter König an meiner Kritik seiner tiefenhermeneutischen Rekonstruktion von Terminator 2. In: medien praktisch 3/95, S.70

Miles, Geoff and Carol Moore. Explorations, Prosthetics and Sacrifice: Phantasies of theMaternal Body in the Alien Trilogy." CineAction! 30 (1992): 54- 62.

Mills, Jane : "The Alien Franchise: feminist fable or patriarchal pap?" in Refractory Girl No 53, Spring 1999

Mooney, Adam: Il Dilemma della Natura Artificiale: Conoscenza proibita in Frankenstein e Terminator 

Morton, O.: A general theory of "Terminators". In: Modern Review 1. 1991. No. 1. p.32-33.

Murray, Charles J.: "Raise the Titanic" In:  Design News Jan 19, 1998

Naureckas Jim, "Aliens : Mother & the Teeming Hordes", Jump Cut,ø 32, 1987, pp. 1-4.

Ndalianis, Angela: "Architectures of Vision: Neo-Baroque Optical Regimes and Contemporary Entertainment Media."   Media in Transition Conference Article

Necakov, Lilian (1987) "The Terminator: Beyond Classical Hollywood Narrative" Cineaction 8:84-86

Nessel, Sabine: "Das Bild und das Visuelle. Von Terminator II zum Katastrophenfilm der neunziger Jahre." In: Ästhetik und Kommunikation Heft 104, März 1999

Öhner, Vrääth : "BRAINSTORM und STRANGE DAYS: Zwei Filme, ein Gerät"

(Odlas, Susanne): Titanic, Neuer Filmkurier 451 / 452 (März 1999), (20 Seiten umfassendes Heft, mit den Angaben zum Stab, Entstehung usw.)

Olivier, Bert: Time, technology, cinematic art and critique in "The Terminator" and "Terminator II: Judgement Day". A philosophical interpretation. In: LITERATOR 13. 1992. No. 3. p. 21-34.

Pally, Marcia. "Sigourney Takes Control." Film Comment 22.6 (1986): 18-22

Palm, Michael  und Drehli Robnik: "Leben auf der Titanic -Version 1.0 eines Kompendiums". In: nach dem film No.1

Pask, Kevin: "Cyborg Economies: Desire and labor in the Terminator Films." 182-98 IN Dellamora, Richard (ed.). Postmodern
Apocalypse: Theory and Cultural Practice at the End. Philadelphia, PA : U of Pennsylvania P, 1995. 

Peinkofer, Michael: "Titanic": Rekonstruktion eines Mythos. In: Moviestar 5. 1998. No. 5(40). p. 52-61.

Penley, Constance: "Time Travel, Primal Scene, and the Critical Dystopia (on The Terminator and La Jetée)." The Future of an Illusion: Film, Feminism, and Psychoanalysis. Minneapolis: Univ. of Minnesota Press, 1989, 121-139.

Perlman, Martin: The Termnator. Special Effects by Fantasy II. In: Cinefantastique, Nr.2, May 1985, p.47

Persons, Dan: "Terminator 2 3-D": Filming Universal Studio's live-action/3-D mind-melter. In: Cinefantastique 28. 1996. No. 4/5. p. 112-116, 118-120.

Pfeil, Fred: "Revolting yet conserved: family noir in Blue Velvet and Terminator 2" --  Postmodern Culture V2 N3 May 

Phillips, Julie: Die Waffe (in der Hand) der Frauen. In: CINEMA [ZÜRICH] 1991. No. 37. p. 167-170.

Potter, Maximillian. "Cameron Boards 'Titanic'". In: Premiere (USA). August 1996, Vol. 9, Iss. 12. pg. 42-43.

Pounder, Lynne: "Terminator 2 - Judgment Day". In: Starburst Spec. #9 p 26-32 

Pyle, Forest: Making Cyborgs, Making Humans: Of Terminators and Blade Runners. In: Jim Collins, Hilary Radner etal (eds), Film Theory Goes to the Movies. London/New York 1993, 227-241.

(Pyle, Forest. "Making Cyborgs, Making Humans: Of Terminators and Blade Runners. Cybercultures Reader. Ed. David Bell. London:
Routledge, 2000.)

Ralston, Tim:  "TITANIC: A METAPHOR FOR THE 20TH CENTURY" C.I.M. Review #5

Rapping, Elayne. "Hollywood's New 'Feminist Heroines'." Cineaste 14 (1986), pp. 4-9.

Rascaroli, Laura, 1997. ‘Steel in the Gaze: On POV and the Discourse of Vision in Kathryn Bigelow’s Cinema’, Screen 38:3,

Rascaroli, Laura: "Strange Visions: Kathryn Bigelow's Metafiction". In: Enculturation, Vol. 2, No. 1, Fall 1998 

Raum-Deinzer, Uwe: "Ungeheuer aus dem Meer. Sie kommen aus den unergründlichen Tiefen unserer Meere". In: Moviestar 6 / 98 (Heft 41), S. 50-59

(über Unterwasserfilme allgemein, mit ausführlicher Filmographie)

Ringrose, Danielle: "'This time it’s war” an analysis of Aliens". (film and television studies)

Roberts, Kamala: "The Creation of Action-Adventure Hero Sexuality". In: The Electronic Journal of Undergraduate Research (zu "Aliens")

Roberts, Robin: Adoptive versus biological mothering in "Aliens". In: Extrapolation 30. 1989. No. 4. p. 353-363.

Robertson, Barbara: "The grand illusion. (Digital Domain's creation of visual effects for the movie Titanic). In: Computer Graphics World Jan, 1998

Romero, Rolando J. "The Postmodern Hybrid: Do Aliens Dream of Alien Sleep?". In: Post Script 16.1 (Fall 1996): 41-52. 

Ross, Philippe: Reves de fer. Les paraboles apocalyptiques de James Cameron. In: La Revue du Cinéma 1991. No. 475. p. 52-55.

Ross, Scott: "The Digital Domain of Scott Ross, Jim Cameron and Stan Wilson". In Red Herring December 1993

Rushing, Janice Jocker. "Evolution of 'The New Frontier' in Alien and Aliens: Patriarchal Co-Optation 
of the Feminine Archetype." Quarterly Journal of Speech. Volume 75: February 1989, pages 1-24.

Sailer, Markus: "Warum der T1000 der bessere Cyborg ist" 

Sardar, Ziauddin. "Terminator 2: Modernity, Postmodernism and the 'Other'." Futures (June 1992), 24(5):498, 506n17.
Films like Robocop and Terminator gives us a terminal America of half-repressed anxieties where cities, in Baudrillard's language, are "mobile deserts, with no monuments, no history."

Sardar, Ziauddin: "Surviving the Terminator: The Postmodern Mental Condition", -Futures- 22 (2) 203-210 (March 1990) 

Seeßlen, Georg : "Terminator 2 - eine neue Ideologie im Kino. Vater war eine Erlösungsmaschine." In: merz (=Medien und Erziehung) 36/92

Seitz, Alexandra:  "Ripley - Die Mutter aller Aliens". In Nachtblende Winter 2000, S. 4/5 

Shay, Don: "Dancing On The Edge Of The Abyss". In: Cinefex #39  (über 70 Druckseiten....)

Shay, Don. "Back to Titanic." In: Cinefex (USA). December 1997 (issue 72). p. 15-76.

(online ist u.a. der Make-up Artikel verfügbar)

Shay, Don. "Ship of Dreams." In: Cinefex (USA). December 1997 (issue 72). p. 82-133.


Skördeman, Gustaf: "Den bibliske Schwarzenegger. En kristensymbolisk analys av Terminator 2: Judgment Day"  

Skreiner, David : "James Cameron: vom Action-Regisseur zum einfühlsamen Titanic-Schöpfer." In DVD Home Mai / 2000 (Alien-Special)

Slattery, Dennis Patrick: Demeter-Persephone and the Alien(s) cultural body. In: NEW ORLEANS REVIEW 19. 1992. No. 1. p. 30-35.

SLOTERDIJK, PETER: Sendboten der Gewalt. Zur Metaphysik des Action-Kinos. Am Beispiel von James Camerons "Terminator 2". In: FISCHER, ROBERT / SLOTERDIJK, PETER / THEWELEIT, KLAUS: Bilder der Gewalt. Mit einer Kontroverse zwischen HANS GÜNTHER PFLAUM und KLAUS SCHREYER. Herausgegeben und eingeleitet von ANDREAS ROST. - Frankfurt/Main: Verlag der Autoren 1994. (= Filmbibliothek; Reden über Film.) p. 13-32. (leider keine ernsthafte Auseinandersetzung mit dem Film)

Smith, Joan: "Speaking up for corpses". In: Karl French (Hrsg.): Screen Violence, Bloomsbury Publishing 1996, p. 196-204 (vorwiegend über -das Drehbuch zu- Strange days)

Sorensen, Peter: "Terminator 2: A Film Effects Revolution," Computer Graphics World 14:10 (October 1991): 56-62.

Strauss, Darryl: "Linux Helps Bring Titanic to Life". First published in Linux Journal Issue #46

Taubin, Amy : "The Alien Trilogy: from Feminism to AIDS." In Cook, Pam; Dodd, Philip (editors). Women and Film: A Sight and Sound Reader. (Philadelphia: Temple University Press, 1993), p. 93-100

Telotte, J.P. "THE TERMINATOR, TERMINATOR 2, and the Exposed Body" Journal of Popular Film and Television Vol. 20 No. 2, Summer 1992. PN1993 .J66

Thompson, Frank: "Songe de Titanic". In: Film Comment, January 01 1998 

Turner, George: "Terminator II": For FX, the future is now. In: American Cinematographer 72. 1991. No. 12. p. 62-69.

Tylski, Alexandre : LE CORPS DANS "TITANIC" /

Valdron, Dennis: "SEX AND THE SINGLE ALIEN - The Creature as Rape-Monster"

Vaughn, Thomas: Voices of sexual distortion: Rape, birth, and self annihilation metaphors in the "Alien" trilogy. In: THE QUARTERLY JOURNAL OF SPEECH 81. 1995. No. 4. p. 423-425.

Vieth, Errol:  "Machines and Humans. Terminator 2 (1990)" In: screen studies: module 11

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Walsh, David: "Le Titanic: un phénomène social"

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medien praktisch TEXTE 2 / 1999 "Filmerleben. Zur emotionalen Dramaturgie von "Titanic" (Essaysammlung mit soziologischem Schwerpunkt)

2 ....Editorial. Keine Tränen. Plädoyer für eine "Erziehung der Gefühle"
Johannes Gawert

3.....Filmerleben. Annäherung an ein Problem der Medienforschung
Norbert Neumann / Hans J. Wulff

8.....Zeichen erleben. James Camerons "Titanic" als Erzählung kultureller Erinnerung
Wolfgang Struck / Katja Kirste

17...Das "Titanic"-Phänomen. Untergangsmythos zwischen Kitsch und Katharsis
Jürgen Grimm

30..."Ich hab' einfach nur geheult". Zur emotionalen Aneignung des Medien-Events "Titanic" aus Rezipierendenperspektive
Andreas Hepp / Waldemar Vogelgesang

41..."Titanic" ­ Filmerleben in psychoanalytischer Sicht. Beispiele der Filmrezeption und medienpädagogische Überlegungen
Renate Luca

52...Philologisches Filmerleben. Literarische Dimensionen in "Titanic"
Manfred Behr

65...Ideen für den Unterricht. Begleitmaterial der Stiftung Lesen zum Film "Titanic"
Lothar Mikos

68...Materialien zu Titanic. 
Zusammengestellt von Thomas Hammerschmidt


Cameron / Christ Figures

RetroVision #4 (September 1998) The Films of James Cameron - From "Terminator" to "Titanic"

Fangoria 24, Vol. 6. T2 FX.Creating T-1000



Werkema, Kathryn : Monster Moms: The Monstrous Maternal in Literature and Film and the Masculine Struggle to Reconcile the Otherness of Femininity