Books

Cartmell, Deborah, I. Q. Hunter, Heidi Kaye & Imelda Whelehan (Hrsgg.): ""Alien Identities: Exploring Differences in Film and Fiction". (Vor allem im letzten Abschnitt zu der Alien-Serie) London: Pluto Press, 1999 ISBN: 0-7453-1405-8 197 pp.

Crose, Mark: "The terminator". New York : Crestwood House ; Toronto : Maxwell Macmillan Canada ; New York : Maxwell Macmillan International, c1991. (Auch über die special effects) 

Field, Syd : "Four screenplays". New York, Dell Pub. Co., 1994 (Analyzing the screenplays of Thelma and Louise -- Terminator 2 : judgment day -- The silence of the lambs -- Dances with wolves)

Flynn, John L. : "Dissecting Aliens". London: Boxtree 1995. An extensive book that examines the first three films

French, Sean: The Terminator 72 pp 1996 ISBN: 0-85170-553-7 Paper  BFI Modern Classics Distributed for the British Film Institute Indiana University Press 

Gariazzo, Giuseppe : "James Cameron abissi di amore, desiderio e tecnologia". Roma : S. Sorbini, 1998.

Heard, Christopher: Dreaming Aloud [dt.:Gelebte Träume. James Cameron. Sein Leben, seine Filme].  ISBN: 3932234979 

Kirkland, Douglas. James Cameron's Titanic. New York: Harper Collins 1997.

Lubin, David M.: "Titanic"  - London : BFI Publ., 1999. - 142 S. (BFI modern classics)

Ken Marschall's Art of Titanic (1998, Hyperion. ISBN: 0-7868-6455-9), Ken Marschall, Text by Rick Archbold, Foreword by James Cameron. 160 pages.

Koster, Werner  / Thomas Lischeid (Hrsgg.): "Titanic : ein Medienmythos". Leipzig : Reclam, 2000 239 S. : Ill. 

Marsh, Ed. James Cameron's Titanic. New York: Harper Perennial, 1997. 

Menarini, Roy : "James Cameron". Recco : Le Mani, 1998. - 139 S. : Ill.

Norton, Bill / Shay, Don: "Aliens": The special effects. - London: Titan Books 1997.

Oberender, Thomas: "Zwischen Mensch und Maschine : Reflexionen über James Camerons Film "Terminator 2" im Lichte der Philosophie von J.-F. Lyotard und über die Beziehung zwischen Narzißmus und Video vor dem Hintergrund der Studentenrevolte" /  Siegen, 1993. - 50 S.

Parisi, Paula: James Cameron und "Titanic". - München: Heyne Verlag 1998. (= Heyne Filmbibliothek.)

Porcelli, Tina: "James Cameron". Milano editrice il Castoro, 2000

Sammon, Paul:  "The Complete Aliens" In depth look at the series,

Sandler, Kevin S.; Titanic: anatomy of a blockbuster; ed; New Brunswick, NJ [u.a.]: Rutgers Univ. Press 1999 VII, 274 S. : Ill.

Schmitz, Amelie; "Die Mann-Maschine" - Zur gesellschaftlichen Konstruktion von Männlichkeit im Kinofilm: eine soziologische Filmanalyse des Terminator 2; 1996 152 S. : Ill.

Shapiro, Marc: " James Cameron : An Unofficial Biography of the Filmmaker".  350 Seiten (März 2000) Renaissance Books; ISBN: 158063124X 

Shay, Don : Aliens Special Effects,  An in-depth look at the making of the first three films which reprints the articles from Cinefex magazine

Shay, Don, / Jody Duncan: The Making of Terminator 2 - Jugement Day. New York, Bantam Books 1991, 128 pp.

Spignesi, Stephen J.: "The Complete Titanic; From the Ship's Earliest Blueprints to the Epic Film". Carol Publishing Group 288  pp

Thomson, David: "On the Alien quartet". London : Bloomsbury, 1998 .194 p

Van Hise, James : The Aliens Story. Features interviews of the cast and crew

 


 

 

?? All About James Cameron, Japanese release

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Chapters with  James Cameron-related content


Steve Bayes: "Avid Handbook: Basic and Intermediate Techniques for Media Composer and the Avid Xpress".  Focal Press (1998) 
("Featuring interviews with leading filmmakers, including James Cameron and George Lucas, this book details how today's filmmakers are using digital techniques to enhance their creativity and to realize their imaginations.")


Bukatman, Scott . Terminal Identity: The Virtual Subject in Postmodern Science Fiction. Durham: Duke University Press, 1993. xxx+410. (Kapitel 4 und 5 beschäftigen sich mit 'Terminator') 

Charlton, Michael u.a.: Zugänge zur Mediengewalt. Untersuchungen zu individuellen Strategien der Rezeption von Gewaltdarstellungen im
frühen Jugendalter. Schriftenreihe der LfK (Landesanstalt für Kommunikation, Stuttgart), Bd. 7. Villingen-Schwenningen: Neckar 1996, 135 Seiten, 35
DM, ISBN 3-7883-0359-X. ("In der empirischen Studie geht es um die mögliche Wirkung von Gewaltdarstellungen im Fernsehen. In vier Untersuchungen werden die Gewohnheiten der Mediennutzung im Alltag, die kognitiven Prozesse bei der Filmauswahl, die Identifikationstendenz während des Betrachtens von Terminator 2 und die kommunikative Bearbeitung des Gesehenen in Briefen und Nacherzählungen betrachtet.")

Janice Hocker Rushing and Thomas S. Frentz: Projecting the Shadow: The Cyborg Hero in American Film. Chicago: The University of Chicago Press (800-621-2736), 1995. x+261. (vor allem zu Terminator 1 & 2 sowie Bladerunner)

Graham, Paula. "Looking Lesbian: Amazons and Aliens in Science Fiction Cinema." The Good, The Bad, And The Gorgeous:
Popular Culture's Romance With Lesbianism. Eds. Diane Hamer and Belinda Budge. London: Pandora, 1994.

Hamilton, Jake: "Special Effects - In Film and Television". Dorling Kindersley  £10.99 UK  ISBN: 0-7513-5359-0 (includes Terminator 2)

Horsley, Jake: "The blood poets : a cinema of savagery 1958-1999 ". Lanham, Md. : Scarecrow Press, 1999.

Marsh, Clive  & Gaye Ortiz (Hrsg.): "RELIGION -- EXPLORATIONS IN THEOLOGY AND FILM"  Oxford 1997. XII, 286 S. ("Introductory questions covering methodological issues are discussed together with substantial evaluations of particular films, including "Deads Poets Society“, the "Terminator“ films, "Awakenings“, "The Piano“, and the films of Martin Scorsese.")

Mead, Syd: Studio Image 3, Kronoteko and Kronovecta. 3 books with unpublished Aliens-pictures and sketches

Kienast, Welf  /Wolfgang Struck (Hg.): "Körpereinsatz - Das Kino der Kathryn Bigelow". Marburg 1999. Schüren. 176 S.

Ohanian, Tom  & Michael Phillips: "Digital Filmmaking: The Changing Art and Craft of Making Motion Pictures". Focal Press (1996) | Paperback, includes a foreword by James Cameron

Tom A. Ohanian: "Digital Nonlinear Editing: Editing Film and Video on the Desktop". Focal Press (1998) 
("Featuring interviews with leading filmmakers, including James Cameron and George Lucas, this book details how today's filmmakers are using digital techniques to enhance their creativity and to realize their imaginations.")

Pellegrino, Charles:  "Ghosts of the Titanic" / foreword by James Cameron. New York : William Morrow, 2000.

Pettigrew, Neil: "The Stop-Motion Filmography". Mc Farland, Box 611, Jefferson NC 28640, 1999, ISBN 0 7864 0446 9
$ 110 (also on Terminator)

Schanzer, Karl and Thomas Lee Wright. American Screenwriters. New York: Avon Books, 1993

Spreen, Dierk: "Cyborgs und andere Techno-Körper. Ein Essay im Grenzbereich von Bios und Techne..."
Schriftenreihe 27 190 Seiten, Paperback A5 ISBN 3-932621-07-7 (T1 & 2)

Vaz. Mark Cotta, Patri. Industrial Light and Magic - into the digital realm. London: Virgin, 1996
 304 pages with over 600 colour photographs included tour of the workshops responsible for the special effects magic of films like
Jurassic Park and The Mask, Jumanji, Terminator 2 and Forrest Gump.

??: "Datendandy - Verehrung des Technokörpers" (Auszug als PDF verfügbar)